SHANGLIANG 商 亮

Coexistence Makes Human Being

Artist: Shang Liang

Opening: 2024.9.12  16:00-19:00

Dates: 2024.9.12-10.26

MadeIn Gallery is honored to present Shang Liang’s latest exhibition “Coexistence Makes Human Being”. The exhibition will take place from 12 September to 26 October 2024 and will be the artist’s third solo exhibition at the Gallery. It shows the way in which Shang reflectively uses her surrealist heritage and steers stereotyped representations of reality towards the absurd. The exhibition also illustrates how she adapts her relationship with reality to her own intentions, thus balancing and achieving coexistence between the ideal with the distorted, the elegant with the wild, the human with the non-human.

With its roots in and defying of portraiture, Shang’s oil painting induces illogic and astonishment through the surreal and an intervention of unsettling images. Sensing an omnipresent anxiety that causes a visible alienation of humanity, the artist is convinced that painting has to reach beyond a mere reflection of reality and that creation must take place on a psychological level, “merging with one’s personality”, as well as on an intellectual one, “diagnosing one’s personality and the world”.

In the works on display at the Gallery, Shang continues her previous technique of alienating humans into variations of biomorphic figures that belong to herself. Recognizability and anonymity are reconciled in such features as the human skin bestowed with sheen texture, the fingers turned into gun barrels, and the mouths replacing facial features with a sinister smile. Historically, biomorphism refers to the artistic movement where artists, represented by Joan Miró, draw inspiration from or imitate living forms in nature. In Shang’s thinking and practice, humans are re-positioned as one of nature’s creatures, an object of posthuman imitation rather than life drawing. Using humanoid forms, she attempts to redefine the understanding of the human species, which needs urgent liberation now that human beings are reduced to market relations, religious postures, and a continuous revolt against suffering.

 

 

Inspired by Verne’s book Journey to the Center of the Earth from 1864,  the exhibition is a reverse journey from the center of the Earth, wandering with 13 global artists and group whose works exam the condition of the Earth and humans in the era of Anthroposcene with a non-anthropocentric perspective.

On the 10th of July, 2024, in Bund Art Center 185 Space, in Shanghai, China,  audacious travelers, ascend from the center of the Earth.Exhibition Curator: Wang Kaimei

 

 

Collaborative Art Exhibition “Go as Astro Boy” | K11 Art Space, Guangzhou, 2024.7.19-2024.7.17

 

MYTH MAKERS — SPECTROSYNTHESIS III

24 DEC 2022 – 10 APR 2023

Artists: Bunny Cadag, Oscar Chan Yik Long, Shu Lea Cheang, Christopher Cheung, Isaac Chong Wai, Club Ate (Justin Shoulder & Bhenji Ra), Roy Dib, Jes Fan, Chitra Ganesh, Sadao Hasegawa, Fan Chon Hoo, Hosoe Eikoh, Hou Chun-Ming, Yuen Hsieh, Andrew Thomas Huang, Bones Tan Jones, Siren Eun Young Jung, Bhupen Khakhar, Jiaming Liao, Amy Lien & Enzo Camacho, Zihan Loo, Ly Tran Quynh Giang, Zoë Marden & Sonia Wong Yuk Ying, Josef Ng, Patrick Ng Kah Onn, Alfonso Ossorio, Beatrix Pang, Ellen Pau, Sornchai Phongsa, Khairullah Rahim, Ren Hang, Anne Samat, Joshua Serafin, Tejal Shah, Shang Liang, Raqib Shaw, Sin Wai Kin, Sputniko!, Ho Tam, Hiram To, Kwong Chi Tseng, Virtue Village, Danh Vō, Wang Shui, Apichatpong Weerasethakul, Ka Ying Wong, Martin Wong, Wu Jiaru, Xiyadie, Maru Yacco, Yau Ching, Trevor Yeung, Alex Yiu & Kei Ying Wong, Kohei Yoshiyuki, Samson Young, Zheng Bo, Bruno Zhu

Curators: Inti Guerrero and Chantal Wong

 

Myth Makers—Spectrosynthesis III circles around the core notion of “queer mythologies” and delves into modern and contemporary mythologies along with practices of the body, by gathering a diverse range of artistic idioms related to LGBTQ+ perspectives from over 60 artists from Asia and its diasporas.

The exhibition draws inspiration from artists addressing “queer mythologies”, who highlight either same-sex love and desire or gender fluidity as found in ancient belief systems and traditions in Asia. At the same time, the exhibition also highlights the “new traditions” of our times, of spectacle and celebrity, playful and/or transgressive, along with non-normative bodily practices and histories in artworks by contemporary artists.

Myth Makers unfolds through three distinctive chapters and encompasses newly produced artworks, historical works from the 1950s–1990s, as well as artworks on loan from the collection of the Sunpride Foundation. In bringing together such a plethora of artistic perspectives and vocabularies, Myth Makers endeavours to present a multiplicity of conversations, representations, and anti-representations of stories, individuals and communities. While the bulk of the exhibition focuses on living artists, some visionary and transformative figures of the past will also be underscored, including artists who lived in times when present-day LGBTQ+ identifications were not possible.

Sunpride Foundation was launched in 2014 with the mission to embrace and promote the rich, creative history of the LGBTQ community. The Foundation aims to foster a stronger, healthier, and more equitable world for LGBTQ people and their allies and to encourage and inspire a generation of young artists to take action and create positive changes to the LGBTQ+ experience by exhibiting and preserving art that speaks to society at large. In 2017, Sunpride Foundation and the Museum of Contemporary Art, Taipei co-hosted Spectrosynthesis – Asian LGBTQ Issues and Art Now, the first LGBTQ-themed exhibition staged in an art museum in Asia. Two years later, the Foundation and Bangkok Art and Culture Centre presented Spectrosynthesis II – Exposure of Tolerance: LGBTQ in Southeast Asia, the largest-ever survey of regional contemporary art exploring lesbian, gay, bisexual, transsexual and queer creative history in Southeast Asia and beyond.

 

TENDRING

December 1, 2023- January 27, 2024

Artists: Leelee Chan, Chan Ting, Michele Chu, Dew Kim, Firenze Lai, Lee Eunsae, Yuko Mohri, Sasaoka Yuriko, Shang Liang, Eunice Tsang, and Virtue Village.

“Tendering” marks the 2 year anniversary of PHD Group and is a sequel to the inaugural show”Rendering”.

“Love, hate, desire, disgust, birth, decay, death-are we perhaps waiting for some tenderness in all of this? Some vulnerability? When you find a bruise on your body, do you trace it with your finger? Do you feel those soft reverberations of pain and pleasure? Do they sing to you?

Image: Installation view of “Tendering,” PHD Group,2023. Photo by Felix Wong. Courtesy the artists and PHD Group.

 

 

Exhibition title: Shang Liang: New Man

Dates: November 7, 2022 – Febuary 12, 2023 (Tue – Sun 10:00-18:00)

Venue: Cc Foundation & Art Centre

 

Cc Foundation & Art Centre is pleased to present artist Shang Liang’s solo exhibition “New Man” on November 7, 2022, featuring her latest series of paintings and sculpture. With her signature range of visual symbols, the artist endeavors to dismantle the myths around body, gender, and subculture, and to explore alternative practices of aethestic production and identity construction.

In Shang’s long-time series Good Hunter, Boxing Man, and Sofa Man developed through her previous solo exhibitions “New Order” (2019) and “Mortal at the Helm” (2021), she has invented and established the image of a new race of people known for its mutated muscle, whose gender and age is vaguely discernible yet not verifiable for the viewer. It is both a symbol of heroism with its exceedingly worked out body, as well as a lonely and ambivalent individual unsanctioned by mainstream rules. Throughout Shang’s works, a muscle-worshipping aesthetic is developed to the extreme and thus becomes a parody and deconstruction of itself. By being overly strong, the new man makes strength seem suspicious and ludicrous; by being exaggeratedly in line with the mainstream discipline of the gendered body, it derails and deviates from the norms. Such an ambiguity in stance echos the fluidity of gender and identity that informs Shang’s practice.

 The image of this “new man” can be conceived as the artist’s self reflection and projection. In the current exhibition, she and/or he will continue to chart the freedom of identity construction and self display in a postmodern, posthuman context. Entangled in a paradoxical narrative, the larger-than-life figures on canvas combine humanity, divinity, and poetry. They appear phallocentric and yet challenge the hegemony signified by their very appearance. Under Shang’s well-controlled, accurate brushstrokes telling of her orthodox training, irrationality prevails – herein lies Nietzsche’s Dionysian, Freud’s going “beyond the pleasure principle”, and, ultimately, the spiritual drive of the artist’s unceasing creation and unification with her own works.

 

 

 

 Mortal at the Helm 

Exhibition Period: 2021.3.20-4.30

MadeIn Gallery is pleased to present artist Shang Liang’s solo exhibition “Mortal at the Helm”, opening on March 20th, 2021. This is the artist’s second solo exhibition in the gallery. Shang Liang’s art practices focus on the ritualized body in human life and the visual symbolization of portraiture, creating a unique visual symbol and language that are different from traditional portraits.

The artist’s solo exhibition in 2019, “New Order”, has once announced the birth of an independent species with a distinctive and strong visual image, which is not only full of heroic physical capacify, strength, and authority, but also constitutes a vague metaphor of loneliness and contradiction. While this exhibition gathers the artist’s in-depth development of the visual image in the following two years since 2019, and extends from painting to the field of sculpture.

 

Shang Liang’s creation develops from “The Real Boy” series to the later “Good Hunter”, “Sofa Man” and “Boxing Man” series. These muscular new species with labels of body and strength express mankind’s on-going demand for image-creating. This is not only a way to record, imitate, and pass on to the world, but also the power to reshape mythology and the ideal world. It is a way for “mortals” to try to grasp, influence, and control the world, but still carries blurry manipulation of the body and subtle competition against the outside world.

 

As the subject of mass fascination and consumption, the image of teenager in “Good Hunter” series possesses primitive animality and the exposed violence that hasn’t been domesticated by society. Their posture is borrowed from the ancient Egyptian and Greek statues in western sculpture and painting traditions – they are considered the idealized human bodies with divinity, endowed with eternity in body, physique and spirit. In another series “Sofa Man”, the artist uses an almost exaggerated painting technique to present an ambiguous image, where a group of human with bloated muscles are trapped in the sofa. It visually conveys a soft touch, as well as the delicate relationship between body and mind. And the “Boxing Man” series directly deprives the face and organs of human with the reconstructed unknown, and replaces the head with the image of boxing gloves. The image in the series gradually evolve and mutate in the miniature arena presented in the artist’s works, thus declaring the game order of the new world.

 

 

 

 

 

“Where are we？Where is the future？” Young Artists’ Staying-in-Japan Arts practice, CAFA，2021

 

 

 

 

商亮《拳击人战舰》，装置，不锈钢、树脂，490 x 181 x 415cm，2019年

 

MadeIn Gallery is pleased to present Shang Liang’s solo exhibition “New Order” opening on the 13th of July, 2019, marking the first solo show of the artist in the gallery. The exhibition will feature Shang’s recent paintings, presenting visual symbolization of characters and exploration of painting language.

 

Receiving the rigorous training of the Oil Painting and the Experimental Art Department of the Central Academy of Fine Arts, Shang executed a large amount of paintings. Unlike traditional portraits, the character of the “juvenile superhuman” with mutated muscles became a specific visual symbol in her work. The exhibition will showcase the series “Good Hunter” and “Sofa Man” that the artist continuously developed over the past two years, as well as the new series “Boxing Man”: a character which gradually evolved from a figurative human body to an abstract figure with the effigy of a boxing glove, without face or organs. The “Boxing Man” is remote, it doesn’t adhere to any specific background, time or space, it emanates a certain form of power, composure and obstinacy. As a visual symbol, the strong muscles repeatedly depicted by Shang have been separated from the matrix to become a new independent species. They embody notions of heroism, physical strength, battle and conquest, and constitute a metaphor for power, loneliness and contradiction.

These mutated “Boxing Man”, exaggeratedly grown “Good Hunter” and the new series of “Couch Man” who are confined within sofas, all reflect the contradictory masculine imagination and humorous approach of these “superhumans” from the artist’s perspective. While constantly emphasizing these symbols, the artist also built her own unique visual language. The simple colors, direct and powerful image of these large-scale “boxing man”, the traces left by the repeatedly modified brushstrokes refine the contours of the subjects while evoking speed and movement, resulting in a calm yet bursting picture.

Muscle Boys

没顶画廊 | 商亮个展 “新主人” 将于7月13日开幕

商亮：后达尔文时代的生命宿主 | 碎片.txt

 

 

 

 

史莱姆引擎：百人展《海洋》开幕中

MadeIn Gallery is pleased to present “Play” an exhibition showcasing new paintings and sculptures by Lu Pingyuan, Shang Liang and Zhao Yao. In this exhibition, three artists’ works commonly share a spirit of lightness and playfulness, bringing aesthetics, concepts and art into the field of game. As a method for the observation of art, game arises in the gallery space.

只有当你游戏的时候才是完整的

陆平原、商亮、赵要三人展“PLAY”开幕现场